Keylight for After Effects
януари 7, 2007
if you do blue or greenscreen compositing, getting Keylight could make your life a whole lot easier. If you find yourself spending too much time struggling with mattes, getting rid of spill light and working out how to get good transparent edges, then Keylight is here to help you.
Features
Picking the screen colour is often enough to give excellent results. Because Keylight’s algorithm accurately models the interaction of the blue screen light with the foreground elements and replaces it with light from the new background, you don’t have to manually tweak lots of inter-dependent sliders to do the same.
Keylight is simple and quick to use, and is particularly powerful in dealing with reflections, semi-transparent areas and hair.
Controls for screen variation and spill suppression are included. Colour correction tools using gain, gamma and offset sliders on each colour channel are also supplied for the foreground and background images. A secondary internal matte and external matte are also available.
Keylight already has an impressive track record in compositing and has been used in many feature films such as Armaggeddon, Bedazzled, Chicken Run, Devil’s Advocate, Event Horizon, Gattaca, Immortal Beloved, Lord of the Rings, Lost in Space, Mission Impossible 2, Sexy Beast, Sleepy Hollow, The Beach, The Mummy Returns, Tombraider, Waterworld and many others.
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